Coming soon in the 2016 issue of the January New York City Jazz Record magazine, Steve’s record “All My Tomorrow” receives honorable mention for the 2015 records of the year.
Sept. 22 @ 7-8:30 PM
Bed-Stuy Restoration Plaza,
Fulton St. and Marcy Ave. Bklyn NY
FREE Outdoor Concert
Oct. 4 @ 3:00 PM
Harlem’s Famous “Red Rooster,” Noon to 3 PM bunch, no cover. My birthday.
Oct. 9 @ 8-11:30 PM
966 Fulton St.
at Classon Ave.
Oct. 11 @ 7-10 PM
Milk River Cafe
960 Atlantic Ave.,
btw. Washington and Grand Aves. Bklyn NY. No cover charge
Corner FULTON ST. & MARCY AVE, Brooklyn,
on his second album All My Tomorrows (Cromcake). Cromity’s grounded, self-assured voice is relaxed and
richly resonant and his band of jazz masters seriously tight. Cromity is firmly in the swinging pocket.
Here’s a vocalist I can guarantee you’re gonna like. Steve Cromity has a rich and alluring low tenor or high baritone voice, and uses it with taste, swing and style on this release…
The Mighty Men of Valor
First Baptist Church of Crown Heights
– JAZZ VESPERS CONCERT – OUTDOORS!!!
(On the plaza in front of church)
SUNDAY, JUNE 21, 2015
KENYATTA BEASLEY AND HIS BAND
Trumpeter/Composer/Educator Kenyatta Beasley is well known in various circles for his musical creativity and flexibility. As a trumpeter and arranger, Kenyatta has performed, toured and recorded with a wide array of artists ranging from Ellis Marsalis, Roy Hargrove, Gloria Gaynor, and the Duke Ellington Orchestra to Lauryn Hill, Jay-Z, Mary J. Blige, Shakira and the Saturday Night Live Band
The band of other young lions playing with Kenyatta:
Keith Loftis, saxophone; Anthony Wonsey, keyboard; Neil Caine, bass;
and Dwayne Broadnax, drums
First Baptist Church – connecting faith, culture, and community.
Seating starts at 2:30 PM. The event is FREE!!! Location: 450 Eastern Parkway
@ Rogers Ave., Brooklyn, NY 11225. (718) 778-1200, or
Steve Cromity, 917) 685-3508 (www.stevecromity.com)
May 2, 2015
Media Alert: Steve Cromity “All My Tomorrows” (Cromcake Records) Street Date March 1, 2015
Steve Cromity –vocals, Patience Higgins-reeds & flute, Kenyatta Beasley-trumpet, Eric Wyatt-tenor sax, Marcus Persiani-piano & music director, Eric Lemon-bass, Darryl Green-drums
Dieci brani presi dalla grande tradizione del jazz eseguiti nel migliore stile mainstream con sincerità ed una classe esecutiva unita ad una perfetta dizione dei versi delle famose canzoni. È quello che ci propone Steve Cromity, cantante di New York che con una band di musicisti in sintonia con il progetto si diverte a swingare e farci rivivere quella che é l´atmosfera dei club americani della Big Apple dove si esegue questa musica. Ci sono un paio di ospiti speciali che si fanno notare per i loro notevoli assoli mentre accompagnano il leader, Patience Higgins in cinque brani, al sax tenore, sax soprano e flauto, Eric Wyatt al sax tenore in quattro brani e
Kenyatta Beasley alla tromba in altri cinque. La sezione ritmica é guidata dal pianista Marcus Persiani, che è il direttore musicale, a completarla Eric Lemon al contrabbasso e Darrell Green alla batteria.
Le canzoni, fra le preferite di Cromity, vedono anche una bossa nova, la deliziosa My Little Bloat, per il resto delle grandi ballad, How Little We Know e delle esecuzioni emozionanti di standards quali When Lights are Low e Without a Song, dei tempi più veloci su Sugar di Stanley Turrentine. Per tutto il disco ci sono interventi misurati degli ospiti e l´empatia della ritmica per il cantante così che risulta un insieme molto compatto che esegue con sincerità un mainstream di alto livello. Non è qui che vanno cercate le innovazioni del jazz di domani, ma quando si ascoltano gli assoli di Eric Wyatt e Kenyatta Beasley su Without a Song insieme alla grande voce di del cantante ed alla ritmica completamente in sintonia si apprezza la sincerità e la grande maestria dei musicisti nel proporre il genere.
Ten songs taken from the great tradition of jazz performed in the best mainstream style with sincerity and an executive class combined with perfect diction of verses of famous songs. It’s what gives us Steve Cromity, singer of New York that with a band of musicians in tune with the project enjoys swingare and make us relive the atmosphere of the club is that the American Big Apple where you do this music.
There are a couple of special guests that stand out for their remarkable solos and accompany the leader, Patience Higgins in five songs, tenor sax, soprano sax and flute, tenor saxophonist Eric Wyatt in four songs and Kenyatta Beasley on trumpet in the other five. The rhythm section is led by pianist Marcus Persiani, who is the music director, to complete it on bass and Eric Lemon Darrell Green on drums. The songs, among the favorite of Cromity, see also a bossa nova, the lovely My Little Bloat, for the rest of the big ballad, How Little We Know and exciting performances of standards like When Lights are Low and Without a Song, times faster on Sugar by Stanley Turrentine. For all the hard work we have measured the guests of rhythmic empathy for the singer so that is a very compact together running with sincerity a mainstream high level. It is not to be found here that the innovations of jazz tomorrow, but when you listen to the solos of Eric Wyatt and Kenyatta Beasley on Without a Song together with the great voice of the singer and the rhythm completely in tune appreciates the sincerity and great skill Musicians in proposing gender
May 8, 2015
Media Alert: Steve Cromity, All My Tomorrows
All My Tomorrows; Steve Cromity, vocals.
Male jazz singers may not be considered an endangered species, but they are at the very least a rarity these days. Every month in this space there are a few female singers reviewed, but the guys — well, few and far between. So here comes Steve Cromity, with solid jazz chops, excellent choice of tunes, and a well-crafted ensemble providing accompaniment. If Cromity reminds me of anyone, I might single out the great but under-appreciated Bill Henderson. There’s a hint of Henderson in Cromity’s phrasing and the slightly edgy aspect of his voice. And what great tunes! For starters, how about these: “Old Devil Moon,” “When Lights Are Low,” “All My Tomorrows,” “Where Do You Start,” “How Little We Know,” and “I Was Telling Her About You.” His rhythm section is mildly embellished here and there by the two tenor saxes of Patience Higgins and Eric Wyatt. Don’t get me wrong. I love the ladies. But in an ocean of female “wanna-be’s” and a smaller number of the gifted, it’s nice to occasionally be treated to a hip, straight, no gimmicks male jazz singer. And Steve Cromity is just that!
Self-Produced; 2015; appx. 45 min.